Blair concerto for cimbalom, harp, percussion and strings world premiere
Jonathan M. Blair's new concerto for cimbalom, harp, percussion, and strings, titled “Um'ho'ti" marks a significant moment in contemporary classical music, melding diverse technical influences and innovative instrumentation to create an otherworldly sonic landscape.
The work, whose title suggests a reference to nature, spirituality and the human response to ritual, showcases Blair’s fascination with exploring the interplay between ancient and modern aesthetics and finds a welcome home in Blair’s mercurial harmonic language.
From the very first notes, the concerto captures the attention with its intricate textures between lush string passages, vibrant rhythms punctuated by the brilliant attack of the central soloists. The cimbalom gives voice to the work's Eastern European roots, while the harp adds a layer of ethereal beauty. Their dialogue sets the stage for a dynamic interaction among the orchestra, where the percussion contributes not only rhythm but also an array of coloristic timbres that underscore the concerto's emotional depth.
Blair's compositional style is characterized by its willingness to push boundaries. In the concerto he skillfully punctuates melodic lines with sudden shifts in dynamics and tempo, leading to moments of both tension and resolution. The integration of strings serves to bridge these elements, creating a cohesive sound that is both contemporary and steeped in a sense of tradition. The concerto's structure allows each instrument to shine individually, yet it remains unified in its overarching narrative.
The concerto was commissioned by Dr. Matthew Coley, executive director and curator for the center for mallet percussion research(Kutztown university), and premiered by the Berks Sinfonietta under conductor David McConnell on Jan 12, followed by a premier by the Chamber Orchestra of Pittsburgh, under conductor Edward Leonard.
These peremiers are the result of artistic conversation that spanned genres and cultures. The collaboration among musicians also highlighted the importance of teamwork in interpreting Blair's vision, as they navigated the nuances of rhythm and harmony that define the work.
Concerto Um'ho'ti stands as a testament to Jonathan M. Blair's commitment to innovation in classical music. By blending the cimbalom, harp, percussion, and strings, he has created a piece that invites listeners to engage with a rich tapestry of sound, one that celebrates both the past and the present. This premiere not only marks a milestone in Blair's career but also enriches the contemporary music landscape, encouraging further exploration of diverse musical dialogues.